c2thew wrote:
Actually I'm wondering about why lighting manufacturers list t1 and t5 settings. to me, it makes sense if they simply state the actual shutter settings (if i'm getting this right) that one would use to stop motion which is the t/5 setting. 1/516 does sound slower than 1/1336 (just as an example) but it gives a definitive measurement and capabilities of the flash in relation to the shutter.
Paul, do you know why that is?
Absolutely. The t.5 spec is the long standing engineering term for stating power radiation, whether radio transmitter, reflectors, etc, and represents the traditional 1/2 power point. However, the t.5 1/2 power point means the the light level is only down 1f, and blur at -1f is quite visible.
In recent years, the less "hype oriented" light manufactures have concluded the the t.1 specification (the 10% power point) much more closely correlates to the effective motion stopping performance to conventional shutter speeds under continuous light. (the t.1 point correlates to the light level being down by 3.3f) I would actually argue for even a t.01 spec (-6.6f light level).
The reason some manufacturers stick with the t.5 point (Profoto being the worts offender) is that on non-IGBT lights, the t.1 point is typically 3 times as long as the t,5 point, and they don't want to make their products look bad by showing flash durations 3 times as long as they now do . . . bad for marketing. Profoto does not make IGBT units. Broncolor does (on their very high end packs), and has been the leader in converting the industry to using the t.1 standard.