As with any modifier, the larger the light source at a given distance, the softer the shadows will be.
The spread of light bounced or through a white PL will not be affected much by size, thought the soft wrapping of a larger modifier still applies. The soft silver and extreme silver will have a spread increase equal the the increase in size of the open face of the PLM. For example, the 51" PLM has an open face of 43.75" while the 86" PLM has an open face of 73", a difference of about 39". Assuming all else stays the same, the beam spread will be 39" wider using an 86" vs a 51".
Alternatively, you could use the larger PLM and move it back, while keeping a reasonable softness, in order to even out the fall off across a small group of people.
For example, a 51" may look nice for a single subject when positioned up close, but add three other people to the shot, and by the time the light reaches the farthest person, it will have fallen off due to the inverse square law, and the person closest to the light will still look good, but the farthest will be underexposed. Move the light back, and the fall off is not as great, evening the light across all subjects. But the shadows will become harsher due to the decrease in apparent size of the modifier. Increase the PLM to 64" or 86", and you will increase the size of the modifier, and soften the shadows.
The closest thing to an ungridded 47" octa would be a soft silver with a white front diffusion fabric. The 64" would be a tad larger face.
|