kenyee wrote:
CraigBennett wrote:
I guess I struggle in my mind for the need of hyper sync. I prefer to use ND filters to cut my ambient and use the Einstein to stop the action as the predominate light source.
Only use I can see is in bright sunlight. You use hypersync to both control ambient and use your camera's shutter to stop movement. If it's bright out, your ND filter can't shut all ambient off AFAIK...
I certainly can cut out all ambient with an ND filter. Using a 9 stop ND filter will kill ambient (brightest day is f/16 at 1/100 and 100 ISO) and using a studio strobe, make that the predominate light source. I use my ND8 and ND4, (sometimes together) to get below xsync speed outside in daylight to balance ambient, flash and use large apertures.
People overcome the sun all the time, all it takes is power. Using an ND filter cuts my flash power the same amount, but I can jack the flash power up to get the balance I want and usually keep the light at the distance away from subject that I need. I cannot do this with a Speedlight in FP/HSS mode, usually I have to get it too close to my subject.
Okay, how about using multiple Speedlights. I'd rather work with with one 640WS source instead of 76WS or ganging a bunch of Speedlights; that's cost prohibited. (9 SB-910's to one E640). And if you are talking about multiple Speedlights using FP/HSS versus one E640 using Hypersync, there is no comparison.
Using Hypersync, the E640 is at least 10 times more powerful than the Speedlight in FP/HSS mode.
As far as stopping motion with your shutter speed, agree to some extent. It all depends on the speed of the object you are trying to stop. Even at 1/8000 shutter you can see FP artifacts with certain objects in motion and it certainly is not stopped. This is not the case using a fast strobe like an Einstein or Speedlight. But, for most outside assignments, yes, you can stop motion with the shutter.
IMO, FP/HSS was developed to cater to the casual photographer using fill flash outside (not to frustrate them) and for the experienced photographer that understands it's limitations and uses it appropriately. Hypersync is all about adapting studio lighting to Speedlight applications. With the latest firmware release of PW, Hypersync is improved and usable up to 1/8000 with the Einstein.
This week, I want to document power levels and color balance of Nikon Speedlights in FP mode versus my Einstein in Hypersync mode. I plan to take some sample shots using FP/Hypersync versus ND filters and regular flash for stopping action outside in bright daylight. I will post my findings.
Regards,
Craig