Cutfarm wrote:
I was looking at using the extreme silver PLM (86"). I was figuring that would get me the most power and the widest spread. Right?
It would give you a lot of power, and at close distances, would cover a larger area than any other modifier. However, the spread of the extreme silver PLM (15-26 degrees) is narrower than that of the 11LTR (28 degrees). Given the characteristics of the near Parabolic shape of the PLM and the massive size differences, it is hard to make an apples to apples comparison.
Cutfarm wrote:
Would my beam be bright enough on the back rows of people with that PLM?
"Bright enough" is an ambiguous question. At the right ISO and the right aperture, then yes it will be bright enough. But if you can achieve or desire such an aperture or ISO is a different question. Also, if you expose for the far rows, what will that do to the front rows? That will depend on both the light to front row vs. light to back row ratio as well as how they are feathered. The settings limitation brought by the ambient will also throw another monkey wrench into things.
Cutfarm wrote:
Should I rent another light, and have a third light hit the front half with a standard umbrella from my crane? So im shooting above with that center light on the front group of people? Then cross the other two from right and left both with large silver PLM's?
In a situation like this, more lights would not hurt, and go for powerful ones. If you got two, they can light the back, and the 800's could handle the front.
Cutfarm wrote:
This is an example I found. Can you tell if this is lit or not? It looks like they are all in shade, so maybe the photographer just exposed them without an external flash source. I would love to be able to use natural light if possible, but I want to make sure I get everyone's face exposed properly. Since Im shooting from above them, maybe its going to be easier to expose all of them with natural light.
http://www.jeffellisphoto.com/gallery/l ... up_018.jpgIt's hard to say. If it is lit, it is just a little fill flash. The grass is in "sunny 16" light and overexposed by a stop or two, and they are in shade at... f/4-f/5.6 light. So it could be lit, or some dynamic range enhancements.